Lou Reed Overview
Lewis Allan "Lou" Reed (born March 2, 1942) is an American rock rock music musician best known as the guitarist, vocalist and principal songwriter of The Velvet Underground as well as a successful solo artist whose career has spanned several decades. The Velvet Underground gained little mainstream attention during their career, but became one of the most influential bands of their era. As the Velvet Underground's main songwriter, Reed wrote about subjects of personal experience that rarely had been examined so openly in rock and roll, including a variety of ***ual topics and drug culture. As a guitarist, he was a pioneer of many guitar effects including distortion, high volume feedback Audio feedback , and nonstandard tunings Guitar tunings .
Reed began a solo career in 1971. He had a hit the following year with "Walk on the Wild Side Walk on the Wild Side (Lou Reed song) ", although for more than a decade he evaded the mainstream commercial success its chart status offered him. Reed's work as a solo artist has frustrated critics wishing for a return of The Velvet Underground. The most notable example is 1975's infamous double LP of recorded feedback loops, Metal Machine Music, upon which Reed later commented: "No one is supposed to be able to do a thing like that and survive." By the late 1980s, however, he had garnered recognition by the music community as an elder statesman of rock.
Reed was born into a Jewish family at Beth El Hospital in Brooklyn Brooklyn, New York and grew up in Freeport, New York. Contrary to some sources, his birth name was Lewis Allan Reed, not Louis Firbanks (that name was a joke started by Lester Bangs for Creem magazine). Having learned to play the guitar from the radio, he developed an early interest in rock and roll and rhythm and blues, and during high school played in a number of bands. His first recording was as a member of a doo wop-style group called The Jades.
Reed received electroconvulsive therapy in his teen years to "cure" homo***ual behavior; he wrote about the experience in his 1974 song, "Kill Your Sons". In an interview, Reed said of the experience:
Reed began attending Syracuse University, studying journalism, film directing and creative writing before finding his true calling when he began hosting a late-night radio program on WAER called "Excursions On A Wobbly Rail". Many of Reed's guitar techniques, such as the guitar-drum roll, were inspired by jazz saxophonists, notably Ornette Coleman. Reed graduated from the Syracuse College of Arts and Sciences with a B.A in June 1964.
Noted poet Delmore Schwartz taught at Syracuse and befriended Reed, who in 1966 dedicated to Schwartz the song "European Son", from the Velvet Underground's debut album The Velvet Underground & Nico. In 1982, Reed recorded "My House" as a tribute to his late mentor: "My Dedalus Stephen Dedalus to your Bloom Leopold Bloom was such a perfect wit." He said later his goals as a writer were "to bring the sensitivities of the novel to rock music" or to write the Great American Novel in a record album.
Staff songwriter at Pickwick Records
In 1963, Reed moved to New York City, and began working as an in-house songwriter for Pickwick Records. In 1964, he scored a minor hit with the single "The Ostrich", a parodic parody novelty song of po***r "dance songs" such as "The Twist The Twist (song) " that included lines such as "put your head on the floor and have somebody step on it." His employers had felt the song had hit potential, and arranged for a band to be assembled around Reed to promote the recording. The ad hoc group, called The Primitives, included Welsh musician John Cale, who had recently moved to New York to study music and was playing viola in composer La Monte Young's Theater of Eternal Music along with Tony Conrad. Cale and Conrad were both surprised to find that for "The Ostrich" Reed tuned each string of his guitar to the same note. This technique created a drone Drone (music) effect similar to their experimentation in Young's avant garde ensemble. Disappointed with Reed's performance, Cale was nevertheless impressed by Reed's early repertoire (including "Heroin Heroin (song) "), and a partnership began to evolve.
The Velvet Underground
Reed and Cale lived together on the Lower East Side, and, adding Reed's college acquaintances guitarist Sterling Morrison and drummer Maureen Tucker to the group, they formed The Velvet Underground. Though internally unstable (Cale left in 1968; Reed in 1970) and never achieving significant commercial success, the band has a long-standing reputation as one of the most influential underground bands in rock history.
The group caught the attention of notable artist Andy Warhol, who raised their profile immeasurably, if not improving their immediate fortunes. One of Warhol's first contributions to the band's success was securing them a steady spot as the house band at Max's Kansas City. Warhol's associates inspired many of Reed's songs as he fell into a thriving, multifaceted artistic scene. Reed rarely gives an interview without paying homage to Warhol as a mentor figure. Still, conflict emerged when Warhol had the idea for the group to take on as "chanteuse" the European former model Nico. Reed and the others registered their objection by titling their debut album The Velvet Underground & Nico to imply that Nico was not accepted as a member of the group. Despite his initial resistance, Reed wrote several songs for Nico to sing, and the two were briefly lovers (as were Nico and Cale later). At the time, this album reached #171 on the charts.
Today, however, it is considered one of the most influential rock albums ever produced, influencing glam rock, punk punk rock , post punk, gothic rock, shoegazing and more. Rolling Stone has it listed as the 13th-best album of all time. Brian Eno once famously stated that although few people bought the album, most of those who did were inspired to form their own band.
By the time the band recorded White Light/White Heat, Nico had quit and Warhol was fired, both against Cale's wishes. Warhol's replacement as manager, Steve Sesnick, convinced Reed to drive Cale out of the band. Morrison and Tucker were discomfited by Reed's tactics but continued with the group. Cale's replacement was Doug Yule, whom Reed would often facetiously introduce as his younger brother. The group now took on a more pop-oriented sound and acted more as a vehicle for Reed to develop his songwriting craft. The group released two more albums with this line up: 1969's The Velvet Underground The Velvet Underground (album) and 1970's Loaded Loaded (The Velvet Underground album) . The latter included two of the group's most commercially successful songs, "Rock and Roll" and "Sweet Jane". Reed left the Velvet Underground in August 1970; the band disintegrated as core members Sterling Morrison and Maureen Tucker departed in August 1971 and early 1972, respectively. Yule continued until early 1973, and the band released one more studio album, Squeeze Squeeze (Velvet Underground album) , under the Velvet Underground name.
After the band's move to Atlantic Records' Cotillion Cotillion Records label, their new manager pushed Reed to change the subject matter of his songs to lighter topics in hopes of resulting in more accessible and mainstream music. The band's album Loaded had taken more time to record than the previous three albums together and was written and produced to be "loaded with hits", but had not broken the band through to a wider audience. Reed briefly retired to his parents' home on Long Island.
After quitting the Velvet Underground in August 1970, Reed took a job at his father's tax accounting firm as a typist, by his own account earning $40 a week. A year later, however, he signed a recording contract with RCA RCA Records and recorded his first solo album in London with top session musicians including Steve Howe Steve Howe (guitarist) and Rick Wakeman, members of the progressive rock group Yes Yes (band) . The album, simply titled Lou Reed Lou Reed (album) , contained smoothly produced, re-recorded versions of unreleased Velvet Underground songs, some of which were originally recorded by the Velvets for Loaded but shelved (see the Peel Slowly and See box set). This first solo album was overlooked by most pop music critics (although Stephen Holden in Rolling Stone called it "almost perfect") and it did not sell in significant numbers.
In 1972 Reed released the glam rock record Transformer Transformer (album) . David Bowie and Mick Ronson co-produced the album and introduced Reed to a wider po***r audience (specifically in the UK). The hit single "Walk on the Wild Side Walk on the Wild Side (Reed) " was both a salute and swipe at the misfits, hustlers, and transvestites in Andy Warhol's Factory The Factory . The song's cleverly transgressive lyrics evaded radio censorship. Though musically somewhat atypical for Reed, it eventually became his signature song. The song came about as a result of his commission to compose a soundtrack to a theatrical adaptation of Nelson Algren's novel of the same name, though the play failed to materialize. Ronson's arrangements brought out new aspects of Reed's songs; "Perfect Day", for example, features delicate strings and soaring dynamics. It was rediscovered in the 1990s and allowed Reed to drop "Walk on the Wild Side" from his concerts.
Though Transformer would prove to be Reed's commercial and critical pinnacle, there was no small amount of resentment in Reed devoted to the shadow the record cast over the rest of his career. A public argument between Bowie and Reed ended their working relationship for several years, though the subject of the argument is not known. The two reconciled some years later, and Reed performed with Bowie at the latter's 50th birthday concert at Madison Square Garden in 1997. The two would not formally collaborate again until 2003's The Raven The Raven (Lou Reed album) . Reed followed Transformer with the darker Berlin Berlin (album) , which tells the story of two junkies in love in the titular city Berlin . The songs variously concern domestic abuse ("Caroline Says I", "Caroline Says II"), drug addiction ("How Do You Think It Feels"), adultery and prostitution ("The Kids"), and suicide ("The Bed").
As he had done with Berlin after Transformer, in 1975 Reed responded to his glam rock success with a commercial failure, a double album of electronically generated audio feedback, Metal Machine Music. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. But Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius", though also as psychologically disturbing. The album was reportedly returned to stores by the thousands after a few weeks. Though later admitting that the liner notes' list of instruments is fictitious and intended as parody, Reed maintains that MMM was and is a serious album. He has since stated though that at the time he had taken it seriously, he was also "very stoned". In the 2000s it was adapted for orchestral performance by the German ensemble Zeitkratzer.
By contrast, 1975's Coney Island Baby was mainly a warm and mellow album, though for its characters Reed still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, Walk on the Wild Side: The Best of Lou Reed. While Rock and Roll Heart, his 1976 debut for his new record label Arista Arista Records , fell short of expectations, Street Hassle (1978) was a return to form in the midst of the punk Punk rock scene he had helped to inspire. But ironically Reed was dismissive of punk and rejected any affiliation with it. "I'm too literate to be into punk rock... The whole CBGB's, new Max's Max's Kansas City thing that everyone's into and what's going on in London — you don't seriously think I'm responsible for what's mostly rubbish?"The Bells The Bells (album) (1979) featured jazz great Don Cherry Don Cherry (jazz) , and was followed the following year by Growing Up in Public with guitarist Chuck Hammer. Around this period he also appeared as a sleazy record producer in Paul Simon's film One Trick Pony. Reed also played several unannounced one-off concerts in tiny downtown Manhattan clubs with the likes of Cale, Patti Smith, and David Byrne David Byrne (musician) during this period. Cale later wrote the song "Woman" about Reed on his album BlackAcetate.
In 1980, Reed married British designer Sylvia Morales. They were divorced more than a decade later. While together, Morales inspired some of Reed's best known love songs, particularly "Think it Over" from 1980's Growing Up in Public and "Heavenly Arms" from 1982's The Blue Mask. After Legendary Hearts (1983) and New Sensations (1984) fared adequately on the charts, Reed was sufficiently rehabilitated as a public figure to become spokesman for Honda motorcycles.
On September 22, 1985, Reed performed at the first Farm Aid concert in Champaign, Illinois, USA. He performed "Doin' The Things That We Want To", "I Love You, Suzanne", and "New Sensations" from "New Sensations", and "Walk on The Wild Side".
In 1986, he joined the Amnesty International A Conspiracy of Hope Tour and was outspoken about New York's political issues and personalities on the 1989 album New York New York (album) , commenting on crime, AIDS, Jesse Jackson, Kurt Waldheim, and Pope John Paul II.
Following Warhol's death after routine surgery in 1987, Reed again collaborated with John Cale on 1990's Songs for Drella (Drella - Warhol's nickname - is a blend of the words "Dracula" and "Cinderella"). The album marked an end to a 22-year estrangement. The album took the shape of a Warhol biography; on the album, Reed sings of his love for his late friend, but also criticizes both the doctors who were unable to save Warhol's life and Warhol's would-be assassin, Valerie Solanas.
, Oregon. In 1990, following a 20-year hiatus, the Velvet Underground reformed for a Cartier benefit in France. Reed released his sixteenth solo record, Magic and Loss in 1992, an album about mortality, inspired by the death of two close friends from cancer. In 1993, the Velvet Underground again reunited and toured throughout Europe, although plans for a North American tour were cancelled following another falling out between Reed and Cale. In 1994, Reed appeared in A Celebration: The Music of Pete Townshend and The Who, also known as Daltrey Sings Townshend. This was a two-night concert at Carnegie Hall produced by Roger Daltrey in celebration of his fiftieth birthday. In 1994, a CD and a VHS video were issued, and in 1998 a DVD was released. Reed performed a radically rearranged version of "Now And Then" from Psychoderelict.
In 1996, the Velvet Underground were inducted into the Rock and Roll Hall of Fame. At the induction ceremony, Reed performed a song entitled "Last Night I Said Goodbye to My Friend" alongside former bandmates John Cale and Maureen Tucker, in dedication to Velvet Underground guitarist Sterling Morrison, who had died the previous August. Reed has since been nominated for the Rock Hall as a solo artist twice, in 2000 and 2001, but has not been inducted.
His 1996 album, Set the Twilight Reeling, met with a lukewarm reception, but 2000's Ecstasy Ecstasy (Lou Reed album) drew praise from most critics, including Robert Christgau. In 1996, Reed contributed songs and music to Time Rocker, an avant-garde theatrical interpretation of H.G. Wells' The Time Machine staged by theater director Robert Wilson Robert Wilson (director) . The piece premiered in the Thalia Theater Thalia Theater (Hamburg) in Hamburg, Germany, and was later also shown at The Brooklyn Academy of Music in New York.
In 1998, the PBS TV show, American Masters aired Timothy Greenfield-Sanders' feature documentary Lou Reed: Rock and Roll Heart. This film, which premiered at the Sundance Film Festival in the U.S. and at the Berlin Film Festival in Germany went on to screen at over 50 festivals worldwide. In 1999, the film and Reed as its subject received a Grammy Award for best long form music video.
Since the late 1990s, Reed has been romantically linked to the musician, multi-media and performance artist Laurie Anderson, and the two have collaborated on a number of recordings together. Anderson contributed to "Call On Me" from Reed's project The Raven, to the tracks "Rouge" and "Rock Minuet" from Reed's Ecstasy, and to "Hang On To Your Emotions" from Reed's Set the Twilight Reeling. Reed contributed to "In Our Sleep" from Anderson's Bright Red and to "One Beautiful Evening" from her Life on a String Life on a String (album) . They were married on April 12, 2008.
In May 2000, Reed performed before Pope John Paul II at the Great Jubilee Concert in Rome. In 2000, a new collaboration with Robert Wilson Robert Wilson (director) called Poe-Try was staged at the Thalia Theater Thalia Theater (Hamburg) in Germany. As with the previous collaboration Time Rocker, Poe-Try was also inspired by the works of a 19th-century writer: Edgar Allan Poe. Reed became interested in Poe after producer and long-time friend Hal Willner had suggested him to read some of Poe's text at a Halloween benefit he was curating at St. Ann's Episcopal Church in Brooklyn.
For this new collaboration, Reed reworked and even rewrote some of Poe's text as well as included some new songs based on the theme explored in the texts. In 2001, Reed made a cameo appearance in the movie adaptation Prozac Nation (film) of Prozac Nation.
On October 6, 2001 the New York Times published a Reed poem called Laurie Sadly Listening in which he reflects upon the 9/11 terrorist attacks.
Incorrect reports List of premature obituaries of Reed's death were broadcast by numerous US radio stations in 2001, caused by a hoax email (purporting to be from Reuters) which said he had died of a drug overdose. In 2003, he released a 2-CD set, The Raven, based on "Poe-Try". Besides Reed and his band, the album featured a wide range of actors and musicians including singers David Bowie, Laurie Anderson, Kate Kate McGarrigle and Anna McGarrigle, The Blind Boys of Alabama and Antony Hegarty, saxophonist saxophone and long-time idol Ornette Coleman, and actors Elizabeth Ashley, Christopher Walken, Steve Buscemi, Willem Dafoe, Amanda Plummer, Fisher Stevens and Kate Valk. The album consisted of songs written by Reed and spoken-word performances of reworked and rewritten texts of Edgar Allan Poe by the actors, set to electronic music composed by Reed. At the same time a single disc CD version of the albums, focusing on the music, was also released.
A few months after the release of The Raven, a new 2-CD Best Of-set was released, entitled NYC Man (The Ultimate Collection 1967-2003), which featured an unreleased version of the song "Who am I" and a selection of career spanning tracks that had been selected, remastered and sequenced under Reed's supervision. In April 2003, Reed embarked on a new world tour supporting both new and released material, with a band including cellist Jane Scarpantoni and singer Antony Hegarty. During some of the concerts for this tour, the band was joined by Master Ren Guangyi, Reed's personal Tai Chi Tai chi chuan instructor, performing Tai Chi movements to the music on stage. This tour was documented in the 2004 double disc live album Animal Serenade, recorded live at The Wiltern in Los Angeles.
In 2003, Reed released his first book of photographs, Emotions in Action.
This work actually was made up out of two books, a larger A4 A4 paper size -paper sized called Emotions and a smaller one called Actions which was laid into the hard cover of the former.
After Hours: a Tribute to the Music of Lou Reed was released by Wampus Multimedia in 2003. In 2004, a Groovefinder remix of his song, "Satellite of Love" (called "Satellite of Love '04") was released. It reached #10 in the UK singles chart. Also in 2004, Reed contributed vocals and guitar to the track "Fistful of love" on I Am a Bird Now by Antony and the Johnsons. In 2005, Reed did a spoken word text on Danish Denmark rock band Kashmir Kashmir (band) 's album No Balance Palace.
In 2003, Reed was also a judge for the third annual Independent Music Awards The Independent Music Awards to support independent artists' careers.
In January 2006, a second book of photographs, Lou Reed's New York, was released. At the 2006 MTV Video Music Awards, Reed performed "White Light/White Heat" with The Raconteurs. Later in the night, while co-presenting the award for Best Rock Video with Pink Pink (singer) , he exclaimed, apparently unscripted, that "MTV should be playing more rock n' roll."
In October 2006, Reed appeared at Hal Willner's Leonard Cohen tribute show "Came So Far For Beauty" in Dublin, beside the cast of Laurie Anderson, Nick Cave, Antony, Jarvis Cocker, Beth Orton, and others. According to the reports, he played a heavy metal Heavy metal music version of Cohen's "The Stranger Song".
In December 2006, Reed played a first series of show at St. Ann's Warehouse, Brooklyn, based on his 1973 Berlin song cycle. Reed was reunited on stage with guitarist Steve Hunter Steve Hunter (guitarist) , who played on the original album as well as on Rock 'n' Roll Animal, as well as joined by singers Antony Hegarty and Sharon Jones Sharon Jones (singer) , pianist Rupert Christie, a horn and string section and the Brooklyn Youth Chorus. The show was being produced by Bob Ezrin, who also produced the original album, and Hal Willner. The stage was designed by painter Julian Schnabel and a film about protagonist "Caroline" directed by his daughter, Lola Schnabel, was being projected to the stage. A live recording of these concerts was also published as a film (directed by Schnabel) which was released spring 2008. The show was also played at the Sydney Festival in January 2007 and throughout Europe during June and July 2007. The album version of the concert, entitled Berlin: Live At St. Ann's Warehouse, was released in 2008.
In April 2007, he released Hudson River Wind Meditations, his first record of ambient Ambient music meditation music. The record was released on the Sounds True record label and contains four tracks that were said to have been composed just for himself as a guidance for Tai Chi Tai chi chuan exercise and meditation. In May 2007 Reed performed the narration for a screening of Guy Maddin's silent film The Brand Upon the Brain. In June 2007, he performed live at the Traffic Festival 2007 in Turin, Italy, a five-day free event organized by the town.
In August 2007, Reed went into the studio with The Killers in New York City to record "Tranquilize", a duet with Brandon Flowers Brandon Flowers (musician) for The Killers' b-side/rarities album, called Sawdust Sawdust (album) . During that month, he also recorded guitar for the Lucibel Crater Lucibel Crater (band) song "Threadbare Funeral", which appears on their full-length CD The Family Album. In October 2007, Reed gave a special performance in the Recitement song "Passengers". The album combines music with spoken word. The album was composed by Stephen Emmer and produced by Tony Visconti. Hollandcentraal was inspired by this piece of music and literature, which spawned a concept for a music video. On October 1, 2008, Reed joined Richard Barone via projected video on a spoken/sung duet of Reed's "I'll Be Your Mirror," with cellist Jane Scarpantoni, in Barone's FRONTMAN: A Musical Reading at Carnegie Hall.
On April 12, 2008, Reed married his longtime companion, performance artist Laurie Anderson, in a private ceremony in Boulder, Colorado.
On October 2 and 3, 2008 he premiered his new group, which later was named Metal Machine Trio, at REDCAT (Walt Disney Concert Hall Complex, Los Angeles). The live recordings of the concerts were released under the title The Creation of the Universe. The Trio with Ulrich Krieger (saxophone) and Sarth Calhoun (electronics) plays free improvised instrumental music inspired by Reed's 1975 album Metal Machine Music. The music ranges from ambient soundscapes to free rock to contemporary noise. The trio played further shows at New York's Gramercy Theater in April 2009 and appeared as part of Reed's band at the 2009 Lollapalooza, including a 10 minute free trio improvisation.
On August 9, 2009, Reed performed as a subheadlining act at Lollapalooza in Chicago's Grant Park.
On October 30, 2009, Lou Reed performed the songs "Sweet Jane" and "White Light/White Heat" with Metallica at Madison Square Garden as part of the 25th-anniversary celebration of the Rock And Roll Hall Of Fame.
Reed is the voice of Maltazard, the villain in the forthcoming Luc Besson animated film, Arthur and the Vengeance of Maltazard.
Reed played at a benefit concert for Tuli Kupferberg of The Fugs on January 22, 2010.
Reed contributed vocals to the third Gorillaz album, Plastic Beach. He guest stars on the track "Some Kind of Nature".In 2009, Reed became an active member of The Jazz Foundation of America
With The Velvet Underground
* The Velvet Underground & Nico (1967)
* White Light/White Heat (1968)
* The Velvet Underground The Velvet Underground (album) (1969)
* Loaded Loaded (The Velvet Underground album) (1970)
* 1969: The Velvet Underground Live (1974)
* VU VU (album) (1985)
* Another View (1986)
* Live MCMXCIII (1993)
* Peel Slowly and See (1995)
* Fully Loaded Loaded: Fully Loaded Edition (1997)
* Bootleg Series Volume 1: The Quine Tapes (2001)
As a solo artist
* Lou Reed Lou Reed (album) (1972)
* Transformer Transformer (album) (1972)
* Berlin Berlin (album) (1973)
* Rock 'n' Roll Animal (1974)
* Sally Can't Dance (1974)
* Metal Machine Music (1975)
* Coney Island Baby (1975)
* Rock and Roll Heart (1976)
* Street Hassle (1978)
* The Bells The Bells (album) (1979)
* Growing Up in Public (1980)
* The Blue Mask (1982)
* Legendary Hearts (1983)
* New Sensations (1984)
* Mistrial Mistrial (album) (1986)
* New York New York (album) (1989)
* Songs for Drella (with John Cale) (1990)
* Magic and Loss (1992)
* Set the Twilight Reeling (1996)
* Ecstasy Ecstasy (Lou Reed album) (2000)
* The Raven The Raven (Lou Reed album) (2003)
* Hudson River Wind Meditations (2007)
* Metal Machine Music Presented By Zeitkratzer Live> (with Zeitkratzer) (2007)
* The Stone: Issue Three (with John Zorn and Laurie Anderson) (2008)
* The Creation of the Universe (2008)
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