Chicago is an American rock rock music band formed in 1967 in Chicago, Illinois. The band began as a politically charged, sometimes experimental, rock band and later moved to a predominantly softer sound, becoming famous for producing a number of hit ballads. They had a steady stream of hits throughout the 1970s and 1980s. Second only to the Beach Boys in terms of singles and albums, Chicago is one of the longest running and most successful U.S. pop/rock and roll groups.
According to Billboard, Chicago was the leading U.S. singles charting group during the 1970s. They have sold over 120 million albums worldwide, scoring 22 Gold, 18 Platinum, and 8 Multi-Platinum albums. Over the course of their career they have charted five No. 1 albums, and have had twenty-one top ten hits.
The band was formed when a group of DePaul University music students who had been playing local late-night clubs recruited a couple of other students from the university and decided to meet in saxophonist Walter Parazaider's apartment. The five musicians consisted of Parazaider, guitarist Terry Kath, drummer Danny Seraphine, trombonist James Pankow, trumpet player Lee Loughnane. The last to arrive was keyboardist Robert Lamm, a music major from Chicago's Roosevelt University. The group of six called themselves 'The Big Thing', and continued playing top-forty hits, but realized that they were missing a tenor voice (Lamm and Kath both sung in the baritone range); the voice they were missing belonged to local bassist Peter Cetera.
While gaining some success as a cover band, the group began working on original songs. In June 1968, they moved to Los Angeles, California under the guidance of their friend and manager James William Guercio, and signed with Columbia Records. After signing with Guercio, The Big Thing changed their name to 'Chicago Transit Authority'. Kath was the group's leader onstage, and for many longtime fans, its musical soul. Terry Kath's shocking death could have meant the end for Chicago, but encouraged by friends and admirers such as Doc Severinsen, the group held fast and soldiered on.
After auditioning over 30 potential replacements for Kath, Chicago decided upon guitarist/singer/songwriter Donnie Dacus, who joined the band in April 1978 just in time for the Hot Streets album and its energetic lead-off single "Alive Again Alive Again (Chicago song) ", which brought Chicago back to the Top 15. The group was briefly re-energized by Dacus, whose long blond hair and rock star image stage presence seemingly overshadowed his musical abilities. The kinetic Dacus may have been out of character for the normally laid-back Chicago, but he could sing and play, and the band responded by delivering some of their tightest live performances ever. Hot Streets, with producer Phil Ramone now at the helm, was Chicago's first album with an actual title rather than a number and was the band's first LP to have a picture of the band (shot by photographer Norman Seeff) featured prominently on the cover (with the ubiquitous logo downsized,) two moves that were seen by many as a way to indicate the band had changed following Kath's death. To a degree, the band returned to the old naming scheme on its subsequent releases, although most titles would now bear Arabic numerals rather than Roman numerals. The release of Hot Streets also marked a move somewhat away from the jazz-rock direction favored by Kath and towards more pop songs and ballads. Dacus didn't last long, only staying with the band through the 1979 album Chicago 13 (Dacus is also featured in a promotional video on the DVD included in the Rhino Records Chicago box set from 2003). 13, again produced by Phil Ramone, was the group's first studio album not to contain a Top 40 hit.
1980's Chicago XIV, produced by Tom Dowd, relegated the horn section to the background on a number of tracks, and the album's two singles failed to make the Top 40. Production values were spare, perhaps due to the lean, stripped-down New Wave music that was po***r at the time. Chris Pinnick handled the guitar duties and came close to the "Kath sound," but did not sing. He would remain with the band through 1985. Believing the band to no longer be commercially viable, Columbia Records dropped them from its roster in 1981 and released a second "Greatest Hits" volume later that year to fulfill its contractual obligation.
The second major phase of the band's career took off in late 1981 with a new producer (David Foster), a new label (Warner Brothers), and the addition of keyboardist/guitarist/singer Bill Champlin and guitarist Chris Pinnick (who had played on XIV and subsequent tour); percussionist Laudir de Oliveira also departed at this time along with former Buckingham and sax player Marty Grebb, who had joined the group briefly for the XIV tour.
Foster brought in studio musicians for some of the tracks on Chicago 16 (including the core members of Toto Toto (band) ), and Chicago once again topped the charts with the single "Hard to Say I'm Sorry/Get Away Hard to Say I'm Sorry ". This was followed up by a song that barely missed the top 20, "Love Me Tomorrow." The following album, Chicago 17, became the biggest selling album of the band's history, producing two more Top Ten singles ("You're the Inspiration" and "Hard Habit to Break") (both #3 hits) and two other singles ("Stay the Night Stay the Night (Chicago song) " (#16) and "Along Comes a Woman" (#14). Peter's brother, Kenny Cetera, was brought into the group for the 17 tour to add percussion and high harmony vocals.
Lead vocalist Peter Cetera's desire to record a second solo album (he'd done his first one in 1981) and not continue with the band's gruelling tour schedule caused him to leave Chicago in 1985. Although other band members (including Lamm and Champlin) have released solo material, Cetera has proved the most successful, topping the pop charts with The Karate Kid, Part II theme song "Glory of Love," and also with Amy Grant on "The Next Time I Fall". Two more songs, a 1988 solo hit called "One Good Woman" (#4 U.S.) and a 1989 duet with Cher called "After All After All (Cher and Peter Cetera song) " (#6 U.S.) reached the Top Ten.
The post-Cetera era
Cetera was replaced in September 1985 by bassist/singer Jason Scheff, who joined the band for the final Foster-produced album Chicago 18. This album was not as commercially successful as the previous two, but still produced the #3 single "Will You Still Love Me? Will You Still Love Me? (Chicago song) ," a Top 5 Adult Contemporary and Top 20 Pop song ("If She Would Have Been Faithful..."), and also a high-tech and highly programmed version of "25 or 6 to 4" with a concept video that got a lot of airplay on MTV. Soon after the album was recorded, the band hired guitarist Dawayne Bailey from Bob Seger's Silver Bullet Band. Bailey and Scheff had previously played in bands together, so Scheff introduced Bailey to the band in time for the Chicago 18 tour (Scheff and Bailey's first concert with Chicago took place on Friday Oct 17, 1986 in Rockford, Illinois).
In 1988, the band replaced producer Foster with Ron Nevison and Chas Sanford, and they topped the charts again with the Diane Warren-composed single "Look Away," from the album Chicago 19. The album also yielded two more Top 10 hits, both with Bill Champlin singing solo lead for the first time and another Top 5 single that would officially be a release from the forthcoming greatest hits record. Chicago 19 was followed in short order by Greatest Hits 1982-1989, which included the aforementioned #5 hit "What Kind Of Man Would I Be?," a slightly remixed tune originally included on 19 and sung by Jason Scheff. The album's other Top Ten hit, "You're Not Alone", reached #10 in early 1989. During 1989, Chicago did a reprise joint concert tour with The Beach Boys (and would do so once again in 1997).
The band continued in the decade of the 1990s, even though their po***rity began to decline. There was also another personnel change: founding member Danny Seraphine was fired by the band in 1990 after a severe falling out with some of the others in the group and was replaced by session drummer Tris Imboden, who first appeared on the 1991 album Twenty 1. Imboden was well-known in the industry as the longtime drummer for Kenny Loggins. On a happier note, Chicago was recognized with a star on the Hollywood Walk of Fame on July 23, 1992.
In 1993, Chicago wrote and recorded their 22nd album, Stone of Sisyphus Chicago ***II: Stone of Sisyphus . Their record company at the time though, Reprise [Warner Music Group], was unhappy with the finished result, and thus the album was not released, although in succeeding years bootleg recordings of the album went on to surface worldwide, including over the Internet. It is also rumored that the label would not release the album as a result of being unable to reach a licensing agreement with band management over the back catalog. Selected tracks from the unreleased album were later officially released on four international compilation greatest hits CDs and the Rhino Records 2003 box set, and four were re-recorded for band members' solo albums. One track, "The Pull," was performed live during their 1993 appearance at the Greek Theatre (taped for PBS, and released on video in 1993). The album finally did see a release in June 2008, almost 15 years after its completion.
Starting on their 1994 tour, Chicago attempted to merge their unique sound with Big Band music for the 1995 album Night & Day Big Band, which consisted of covers of songs originally recorded by artists like Sarah Vaughan, Glenn Miller, and Duke Ellington (from whom the album mainly got its inspiration). Session guitarist Bruce Gaitsch handled the guitar work, and the album featured guest appearances by Paul Shaffer of "David Letterman" fame, and Aerosmith guitarist Joe Perry.
Keith Howland joined the band as guitarist in early 1995 to replace the departed Dawayne Bailey.
During a Los Angeles concert in 1997, Chicago teamed up with the Hollywood Bowl Orchestra to perform a James Pankow/Dwight Mikelson orchestral arrangement of Pankow's rock epic "Ballet for a Girl in Buchannon". Also during this year, the group released The Heart of Chicago 1967-1997, a compilation album which went gold and yielded the #1 Adult Contemporary hit "Here in My Heart."
In 1998, Chicago released Chicago XXV: The Christmas Album, which mixed traditional holiday favorites with an original Lee Loughnane composition. It went gold in the US. (The album was re-released with additional tracks in 2003, under the title What's It Gonna Be, Santa?)
The album featured Howland's first, and to date only, lead vocal on a Chicago record.
The band released a live album in 1999, Chicago XXVI Chicago XXVI: Live in Concert , which included only two of the many songs Cetera helped to write while in the group. In 2000, the group (minus Cetera) had the opportunity to tell their story in an episode of VH1's Behind The Music. This included gems such as Pankow relating this story from the early 1980s: "One record company said 'Man, if you get rid of the horn section, we'll sign ya... That's like tellin' Elton John to get rid of the piano." The show, however, was not without its difficulties. The episode put more emphasis on the death of Terry Kath than their entire career combined. Cetera completely disowned the special and went so far as to not allow VH1 to use any of the songs he composed for the band, even declining to be interviewed (although stock footage of a Cetera interview does appear).
Despite the personnel changes over the years, the group is still active four decades after its founding. They are one of the few major rock groups that have never broken up or even taken an extended hiatus. Four of the six surviving founding members (major songwriters Lamm and Pankow, plus Loughnane and Parazaider) remain to this day providing continuity, while Jason Scheff has over 23 years with the band, Tris Imboden over 18, and Keith Howland over 13.
As a new century turned, the band licensed their entire recorded output to Rhino Records (after years with Columbia Records and Warner Brothers as well as their own short-lived label). In 2002, Rhino released a two-disc compilation, The Very Best of Chicago: Only The Beginning The Very Best of: Only the Beginning , which spans the band's entire career. The compilation made the Top 40 and sold over 2 million copies in the US. Rhino has also begun releasing remastered versions of all of the band's Columbia albums, each including several bonus tracks; and in 2005 they released a compilation entitled Love Songs Love Songs (Chicago album) .
Chicago continues to appear in big and small venues worldwide. In 2004 / 2005 they toured jointly with the band Earth, Wind & Fire; a DVD recorded during that tour, Chicago/Earth, Wind & Fire - Live at the Greek Theatre, was certified platinum just two months after its release.
The group released Chicago ***, on March 21, 2006, their first all-new studio album since Twenty 1. Two songs from this album, "Feel" and "Caroline", were performed live during Chicago's Fall 2005 tour; the studio recording of "Feel" debuted on WPLJ radio in New York in November 2005. "Feel" was the first single released. The album contains two versions of the song: one with horns and an orchestral tag that echoes "Love Me Tomorrow", and another non-brass version. "Love Will Come Back" was the second single released. The album was produced by Rascal Flatts bassist Jay DeMarcus, who is a friend of Chicago bassist Jason Scheff. Seven of the 12 tracks were co-written by Scheff, and the album included a large roster of guest musicians, supplanting band members in many cases. While Chicago *** did manage to debut at No. 41 on the US album chart (besting some other entries including Chicago XIV which hit US #71 and Twenty 1 which topped out at only US #66), it only remained in the top 200 for two weeks.
During March 2006, Chicago made a multi-week appearance at the MGM Grand Las Vegas, which was repeated in May of the same year. In July 2006, the band made a series of US appearances with Huey Lewis and the News. Highlights of that tour included Chicago's Bill Champlin performing with Huey Lewis and the News on a couple of songs, members of Huey Lewis and the News contributing to Chicago's percussion-laden song, "I'm a Man," and Huey Lewis singing the lead vocal on Chicago's "Colour My World."
In early 2006, original drummer Danny Seraphine formed California Transit Authority, who play many of the older Chicago songs.
At the end of 2006, the band played at CD USA's New Year's Eve party on Fremont Street in Las Vegas. Chicago toured the summer of 2007 with the band America America (band) . On October 2, 2007, Rhino Records released the two-disc The Best of Chicago: 40th Anniversary Edition, a new greatest hits compilation spanning their entire forty years, similar to The Very Best of: Only the Beginning, released four years earlier.
June 17, 2008 saw the official release of the Stone of Sisyphus album by Rhino Records, recorded in 1993 and originally slated for a March 1994 release until being shelved by Warner Records. The album contains eleven of the original twelve tracks (the raucous "Get on This" was left off), plus four demo recordings. Its official title is "Chicago ***II: Stone of Sisyphus" (it was originally slated to be album #22). Summer of 2008 also included multiple European tour dates, with members of the horn section missing at various times. This trend of fill-in players has continued into 2009, with Lamm sometimes the only original member on stage. As Chicago has existed as a "faceless" band for years, the lack of original members may not concern the audience like it would with another long-lived band such as the Rolling Stones and high-profile members like Mick Jagger.
In 2009 Chicago reunited with Earth, Wind & Fire for yet another joint tour.
In August 2009, Bill Champlin, who was with Chicago for 28 years, left the band to focus on his own music and solo career..
On December 12, 2009, Chicago performed nine songs live on stage at the Arena at Harbor Yard in Bridgeport, Connecticut as part of Brian Boitano's Skating Spectacular, taped for a New Year's Day NBC television broadcast. Boitano and other skaters performed live on the ice to the band's music.
Chicago is touring with the Doobie Brothers in 2010.
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